HUM 256

AFRICAN AMERICAN LITERATURE

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HUM 256: INTRODUCTION TO AFRICAN AMERICAN LITERATURE AND CULTURE
Central Oregon Community College
Dr. Stacey Donohue
sdonohue@cocc.edu
                       

           

TEXTS:

Hum256W Coursepack  (available as a Word document from me OR you may purchase at the bookstore)

The Norton Anthology of African American Literature                                                        

                                                                                                                       
COURSE DESCRIPTION:

Eng 256 is a survey course introducing students to African-American literature in the context of both history and to major achievements in the visual arts, music and film.  The goal of this immersion is to deepen appreciation of significant African American contributions to American life. We will trace certain techniques and themes which cut across these various art forms, including the persistence of folk arts, the importance of African American music, the role of “race” in identity, and the challenge of finding one’s own voice when the conventions of artistic expression and language use derive from a dominant culture.

We will take an historical approach from the early oral traditions and slave narratives, the literature of reconstruction through the Harlem Renaissance, the Black Arts Movement to the 1990s. This class cannot be a comprehensive study of African American literature: it is an overview, a sampling.  You will need to keep up with the readings, and come to class prepared for discussion and writing.  The purpose of any literature course is to share responses and interpretations, thus class attendance is important. 

 

Course Outcomes:  

Upon successful completion of this course, you should be able to develop the skills needed to meet the following outcomes:

 

A. Knowledge about a culture different from one’s own:

bullet Explain the broad features of African American history (from the oral tradition in America to the present) and situate individual texts within that history.
bullet Apply specific and defensible criteria, appropriate to the cultural and historical context, to analyze, interpret, and evaluate African American texts.
bullet Explain the broad features of African American literary history and situate individual texts within that history.
bullet Analyze the effects of education, gender roles, printing and publication practices, segregation and race identity on the development and reputation of these authors.
bullet Evaluate the role which music (such as spirituals, jazz, blues, rap) plays within African American culture and literature and analyze selected works in relation to an appropriate musical tradition.

 

B. Analysis of a written text:

bullet Analyze the influence of the vernacular tradition on the written literature of the 19th and 20th century written texts.
bullet Demonstrate an understanding of specific themes in African American literature such as slavery and freedom, identity and race, rural and urban life, and the role of the family.
bullet Use formal and informal writing to develop and express interpretations and analyses, distinguishing between personal and critical responses.
bullet Use evidence from the texts and bring multiple viewpoints and perspectives to bear in developing one’s interpretations, evaluations, and comparative analyses of these literary works.
bullet Explain the relationships within these selections, among audience, purpose, organization, form, voice, diction, style, and use of literary conventions.
bullet Explain how the literary treatment of an event, issue or idea differs from the approach of another academic discipline.

 

C. Comparative analysis of cultures:

bullet Examine the effects of individual and culturally-determined factors (such as race, gender, class, ethnicity, region, religion, biases of information sources, prior cross-cultural experiences) in one’s own and others’ responses to African American texts and culture.
bullet Identify and explain significant differences and similarities among African American works and cultures and our own, or other nonwestern and multicultural American cultures with which you may be familiar.

 

In order to meet these goals, students are expected to attend class, contribute to class discussions, and keep up with the reading and writing assignments.

 

WIC designation: The course is designated a “writing in context” course because writing will be the predominant mode through which you will encounter this literature and express your understandings (though analysis and interpretation) about it.  WIC outcomes both echo and extend the above course outcomes:

COCC students who successfully complete a "WIC" course will demonstrate the ability to:

Outcome 1.  Use informal and formal writing to learn course content in the discipline of the WIC course.

Outcome 2.  Adapt general writing skills learned in foundational writing [i.e. WR-prefixed] courses to WIC course writing projects.

Outcome 3: Write at least one paper integrating information from at least two sources employing the appropriate documentation style for the discipline represented by the course.

 

[draft outcomes July 2003]

 

Course Work and Grading: The following assignments are designed to help you meet the outcomes of this course:

 

30% Class Participation and In-Class Written Responses

Films, class and group discussion, in-class written responses will be the central activities in this class.  Regular class attendance and preparation of each day’s readings is recommended and will be reflected in your grade.  You will earn credit for participating in class, in addition to the following:

 

bullet In class informal writings/group discussions (25%): Each week, I will ask you to work alone or in groups analyzing a specific text.  These activities may also be reflected on the final exam. They will be graded credit/no credit; in some cases, partial credit may be offered. The 2 lowest grades  (including missed assignments) will be dropped.  There are no make-ups for these in-class assignments: the goal is to actually be in class to get participation credit.
bullet Oral Presentation on Author or Historical Period (5%):  Topics, dates, and instructions are available in your coursepacket.

 

40% Essays (2)

In the first essay,  you will demonstrate your skills in literary analysis. For the second essay, you have a choice of either a literary analysis or an annotated bibliography.  [Models of both types of essays are on my website.] Each essay should be 4 or more double-spaced typed pages.  Select from the suggested topics noted in the course packet. After a conference with me about Essay #1, you may rewrite the essay for a new grade. Essays are due at the start of class on the assigned date; lateness will reduce your grade.  Grading criteria and suggested topics are available in the course packet

 

bullet Essay 1 due Oct. 28th
bullet Essay 2 due Dec. 4th

 

30% Final Exam

Our final exam will be given on Tuesday, Dec. 9th, 3:15-5:15.  There are two parts: Part I is identification and explication of quotations taken from the readings; Part II is a selection of short essay topics (some topics may be the same as our in class writing topics). 

 

Plagiarism Statement:

Proper citations and documentation of any sources that you quote, paraphrase, and/or summarize in your writing are required whenever you borrow the words, facts, and/or ideas of others. In general, putting others’ ideas into your own words still means you are borrowing, and to avoid plagiarism, the source must be cited and documented, both (a)at the point in your essay where there borrowing occurs (using MLA citation style), and (b) in a list of all sources cited given at the end of your essay.  Plagiarism—intended or not—is considered a serious academic violation of intellectual property rights, and may earn you r written assignment an automatic “F.”

 

Any student with a documented disability (physical, learning, psychological, vision, hearing) who needs to arrange reasonable accommodations must inform the College and Stacey as soon as possible. If you require any assistance related to a disability, contact the Disability Services Office located in Boyle Education Center: call (541) 383-7580,
 

Please see me at the beginning of the quarter if you have any questions about the course requirements.  Also, if you have any questions during the course of the quarter, please see me during office hours or by appointment.

 

Schedule of Assignments, Fall 2003

Note: Bring text and packet to each class meeting!

 

Week 1

Tues, Sept. 23

Introduction to the Course: outcomes, assignments, policies, structure of the course, etc.

Introduction to each other

Discussion: What is literature? Why do we study it? What is literature’s connection to history, art, film and music?  What is African American literature?

NOTE: The PBS Series, The Blues, begins Sept. 28th  at 9pm

Thurs, Sept. 25

The Vernacular Tradition

Read pp. 5-16, 103-105 and 118-120 in book and pp.34-36 in coursepacket;

bring coursepacket and book to every class

Week 2

Tues,

Sept. 30

Literature of  Slavery and Freedom: Wheatley and Douglass

Discuss Literary Analysis

Letter of Introduction due (see p. 1 of coursepacket for assignment)

Read coursepacket pp.2-11

Read book pp164-171 (Wheatley); pp.299-302 and 310-356 (Douglass Chapters 1-X)

Thurs. Oct. 2

Literature of Slavery and Freedom: The Antebellum (Pre Civil War) Period:  Douglass

Read book b pp. 357-369 (end of Douglass)

Week 3

Tues. Oct. 7

Literature of Slavery and Freedom: The Antebellum (Pre Civil War) Period:  Truth and Jacobs

Read coursepacket pp. 12-27 (and questions about Essay #1)

Read pp.196-201 (Truth) and pp.207-245 (Jacobs)

 

Thurs. Oct. 9

Literature of Reconstruction: Washington and DuBois

Read book pp.488-490 and 513-521 (Washington)

And pp.606-609, 633-642 (DuBois)

Week 4

Tues. Oct 14

Literature of Reconstruction: Johnson

Read book pp. 766-768, 777-797 (if you have time, read the rest of “The Autobiography of an Ex-Colored Man”)

Thurs. Oct. 16

Poets of the Reconstruction/Harlem Renaissance: Dunbar and McKay

Read book pp.884-890, 896 (Dunbar) and pp.981-987 (McKay)

[FYI: Johnson’s introduction to The Book of American Negro Poetry has an excellent discussion of Dunbar and McKay’s poetry: pp.861-884)

Week 5

Tues. Oct. 21

Poets of the Harlem Renaissance: Hughes and Cullen

Read book pp.1251-1258 (Hughes) and pp.1303-1314 (Cullen)

Outline for Essay #1 due---

Thurs. Oct. 23

Literature of the Harlem Renaissance: Hurston and Larsen

Read book pp.996-999, 1041-1050 (Hurston) and pp.1065-1087 (Larsen)

Week 6

Tues. Oct. 28

Realism, Naturalism, Modernism: West, Petry and Fauset

Read either West pp.1358-1370 OR Petry pp.1476-77, 1484-1487 OR Fauset pp.952-957 (or all three!)

Essay #1 due

 

Thurs. Oct. 30

 

Guest Lecturer on The Blues: Kathy Walsh

Week 7

Tues. Nov. 4

Realism, Naturalism, Modernism: Wright and Ellison

Discuss Essay #2; Essay #1 returned (optional rewrite due by Nov. 18th)

Read coursepacket pp.28-33, 37-39

Read book pp. 1376-79, 1450-56 (Wright) and pp.1515-1535 (Ellison)

Thurs. Nov. 6

Guest Lecturer on African American artists: Michael Wonser

READ AHEAD

Week 8

Tues. Nov. 11

Veteran’s Day: College is Closed

Thurs. Nov. 13

African American Drama: Hansberry and Wilson

Read Hansen’s “A Raisin in the Sun” (1959)  pp.1725-1800

                OR

Wilson’s “Fences” (1987)  pp.2409-2462

Topic for Essay #2 due

Week 9

Tues. Nov. 18

Realism, Naturalism, Modernism: Brooks and Baldwin

Optional Rewrite of Essay #1 due

Read pp. 1577-1580 (Brooks) and pp.1650-53 and pp.1694-1717 (Baldwin)

Thurs. Nov. 20

The 1960s: Malcolm X and Martin Luther King, Jr.

Read pp.1816-1832 (Malcolm X) and pp.1853-1865 (King)

Week 10

Tues. Nov 25

Literature Since 1970: Angelou and Walker

Read pp.2037-2049 (Angelou) and pp.2375-76, 2387-93 (Walker)

Bibliography for Essay #2 due

Thurs. Nov. 27

Thanksgiving Day: College is Closed

 

Week 11

Tues. Dec.2

African American Film: TBA

 

Thurs. Dec. 4

African American Film: TBA

Bring in questions about the final exam

Essay #2 due

 

Finals Week

 

Tuesday, Dec. 9th, 3:15-5:15

Bring book, notes, pen, paper

 

 If you have any questions, please contact Stacey at sdonohue@cocc.edu