Eng 254W: Survey of U.S. (American) Literature II
Course Description
Welcome to Survey of American Literature II! This class covers selected works of American
literature written during the late 19th through late 20th centuries. In addition, it is my goal that this
course will help you to develop the lifelong habit of critical reading, thinking and writing.
Recommended pre-requisite: placement in WR 121, and/or college entry level reading and writing skills.
Required Texts
Ø Baym, Nina, et. al., Eds. The Norton Anthology of American Literature, Vol. II (Shorter 7th edition) [ISBN: 978-0-393-93055-9]
Ø Donohue’s Eng 254 Coursepacket (from the bookstore, or available on Blackboard)—See the end of this syllabus for information on accessing Blackboard
Ø Additional novel (can be borrowed from any library or purchased at any bookstore or online)
Course Outcomes:
Upon successful completion of this course, you will be able to….
1. understand the features of post Civil War American literary historical periods (such as literary realism, naturalism, modernism).
2. understand the development and impact of the establishment of an American literary “canon”.
3. analyze how American literature can reflect the American experience, psyche and identity of Americans, as well as reflect the diverse cultures and perspectives which comprise the body of literature in America since the Civil War.
4. apply a range of reading strategies to analyze and interpret a variety of literary texts within their historical and literary contexts.
5. use informal and formal writing to analyze and interpret literary works integrating textual evidence following MLA guidelines.
WIC
Program Learning Outcomes
This course is designated a “writing
intensive course” because writing will be the predominant mode through which you
will encounter this literature and express your understanding (through analysis
and interpretation) about it. COCC students who successfully complete a "WIC"
course will demonstrate the ability to:
Outcome 1. Use informal and formal writing to learn course content in the
discipline of the WIC course.
Outcome 2. Adapt general writing skills learned in foundational writing [i.e.
WR-prefixed] courses to WIC course writing projects.
Outcome 3: Write at least one paper
integrating information from at least two sources employing the appropriate
documentation style for the discipline represented by the course.
Grading:
Grades are updated weekly and available via WebGrade. Instructions and update notices are e-mailed to your COCC email account.
Ø 25% In class work (informal writing, group work, quizzes)
These will be done throughout the term. In-class work cannot be made up; however, two missing or the two lowest graded assignments will be dropped.
Ø 45%: Three literary analysis essays
These are worth 15% each. One essay (your choice) may be revised after it is graded. Choice of topics. See coursepacket for more details.
Ø
30%
Literature Portfolio (includes work from the term and a self reflective
essay)
Due at the final exam time. This will include a selection of in class work, a
selection of your informal essays, your favorite formal essay, and a portfolio
essay. See the course packet for details.
Please Note:
· Assignments are due at the start of class time: any assignment received after that time is considered late.
· Late assignments (except for missing in class work) are accepted but are penalized at least one letter grade, depending on the extent of the lateness.
The following Grading Scale
will be used in this course (the final exam grading scale will be distributed in
class):
A+ 97-100 Outstanding
performance [Note: this grade is not recognized by the college]
A 93-96 Exceptional
A- 90-92 Superior
B+ 87-89 Excellent
B 83-86 Very good
B- 80-82 Good
C+ 77-79 Better than satisfactory
C 70-76 Satisfactory
D 65-69 Passing
F 0-64 Not passing
Policies:
Plagiarism Statement:
Proper citations and documentation of any sources that you quote, paraphrase, and/or summarize in your writing are required whenever you borrow the words, facts, and/or ideas of others. In general, putting others’ ideas into your own words still means you are borrowing, and to avoid plagiarism, the source must be cited and documented, both (a)at the point in your essay where there borrowing occurs (parenthetical citations for most academic documentation systems), and (b) in a list of all sources cited given at the end of your essay. Plagiarism—intended or not—is considered a serious academic violation of intellectual property rights, and may earn your written assignment an automatic “F.”
Students Rights And Responsibilities:
Please read the Students Rights and Responsibilities handbook available at: http://studentlife.cocc.edu/Resources/Policies/default.aspx
ADA Statement:
Any student with a documented disability (physical, learning, psychological, vision, hearing) who needs to arrange reasonable accommodations must inform the College and Stacey as soon as possible. If you require any assistance related to a disability, contact the Disability Services Office located in Boyle Education Center: call (541) 383-7583 or email DisabilityServices@cocc.edu .
COCC Non-Discrimination Policy:
Central Oregon Community College is an affirmative action, equal opportunity institution.
Please see me at the beginning of the quarter if you have any questions about the course requirements. Also, if you have any questions during the course of the quarter, please see me during office hours or by appointment.
Weekly Course Schedule
Subject to Change!! Check Blackboard/Your COCC e-mail for any changes
Week #1 |
Topic |
Assignments Due |
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Mon, Jan 7 |
What is American Literature? What is the American Literary Canon?
The Transition from Literary Romanticism to Literary Realism: Post Civil War Literature: Realists and Regionalists |
After class, purchase materials and start reading for Wednesday. Assignments are due on the date listed in the first column of the same row.
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Wed, Jan 9 |
Go over in class writing assignments: process and purpose.
Discuss course packet and course assignments. Introduction to Huck Finn and How to Read Literature Like an English Major Distribute First Week Reflection Assignment |
Read Twain’s Huck Finn (to be announced in class) Read “My Papa’s
Waltz” by Theodore Roethke on p.1145
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Week #2 |
Topic |
Assignments Due |
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Mon, Jan 14 |
MLK, Jr Day: No Classes |
Read Huck Finn E-mail me your top three choices for class novel in the order of preference. |
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Wed Jan 16 |
More on Huck Finn Final Class novel or short stories discussed Discuss Essay 1 |
First Week Reflection Assignment due: e-mail it to me Read Huck Finn |
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Week #3 |
Topic |
Assignments Due |
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Mon, Jan 21 |
Romanticism, Realism and Naturalism in Mark Twain Discuss/show: how to access articles in Blackboard. Assign articles to different groups |
Finish Huck
Finn pp. |
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Wed, Jan 23 |
Romanticism, Realism and Naturalism: Various interpretations of the end of the novel Discuss Essay 1: review thesis statements, and discuss how to cite sources in MLA
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Read assigned articles in Blackboard on the Huck Finn controversy
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Week #4 |
Topic |
Assignments Due |
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Monday Jan 28 |
Discuss student project options (due last week of term or at final, depending on your choice) and Essay 2.
Kate Chopin: From Realism to Modernism (looking forward) |
Read Kate
Chopin short stories
pp.426-442 Essay #1 due: may be revised if submitted on time
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Wed Jan 30 |
Charlotte Perkins Gilman: Psychological Realism to Modernism |
Read Gilman’s “The Yellow Wallpaper” pp.506-518
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Week #5 |
Topic |
Assignments Due |
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Monday Feb 4 |
The Modernist Storytellers: Hemingway and Fitzgerald
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Read
Hemingway’s “Hills Like
White Elephants”
Extra credit: Read Hemingway’s “Snows of Kilimanjaro” pp.1067-1082 |
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Wed, |
The Modernist Storytellers: Hemingway and Fitzgerald. |
Read Fitzgerald’s “Babylon, Revisited” pp.1025-1039
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Week #6 |
Topic |
Assignments Due |
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MondayFeb 11 |
The Jazz Age and The Depression: Literary Modernism to the Harlem Renaissance
Reminder: don’t forget to get a copy of the class novel.
Discuss family drama choice |
Poetry: Read poems by Frost (“Fire and Ice”; “Nothing Gold Can Stay”; “Stopping by the Woods” and “Design” pages 787-788 and “The Road Not Taken” on p.784)); Cummings (“next to of course god” and “anyone lived in a pretty how town” on pp.1000 and 1002); T.S. Eliot’s “The Love Song of J. Alfred Prufrock” pp.863-866 |
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Wed Feb 13 |
The Jazz Age and The Depression: Literary Modernism to the Harlem Renaissance
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McKay’s: “If We Must Die” and “America” p.970-971; Hurston’s “How It Feels to be Colored Me” p. 982-984; Cullen’s: “Yet Do I Marvel” and “Incident” on p.1108; Hughes’ poems: pp.1089-1090 and p.1094 and Wright’s “The Man Who Was Almost a Man” pp.1113-1120
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Week #7 |
Topic |
Assignments Due |
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MondayFeb 18 |
American Family Drama
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Read “Long Days Journey Into Night” by Eugene O’Neill OR “Death of a Salesman” by Arthur Miller (class choice) (pages announced in class) |
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Wed |
American Family Drama Discuss Final Portfolio essay and essay 3 |
Essay 2 due Read “Long Days Journey Into Night” by Eugene O’Neill OR “Death of a Salesman” by Arthur Miller (class choice) |
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Week #8 |
Topic |
Assignments Due |
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Monday Feb 25 |
American Family Drama |
Read “Long Days Journey Into Night” by Eugene O’Neill OR “Death of a Salesman” by Arthur Miller (class choice) |
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Wed |
Late 20th century poetry |
Bishop’s “One
Art” p.1231 |
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Week #9 |
Topic |
Assignments Due |
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Monday Mar 3 |
The 20th century novel or short story |
Read class novel selection or short stories |
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Wed
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The 20th century novel or short story Gale Literature Resource Center |
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Week #10 |
Topic |
Assignments Due |
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MondayMar 10 |
The 20th century novel |
Essay 3 due Finish class novel selection or short stories |
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Wed
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The 20th century novel and its critics |
Read assigned critical review
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Week #11 |
Topic |
Assignments Due |
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Tues
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Final Exam
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Final Portfolio is due at the final. See coursepacket for criteria and required contents |
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Instructions for Accessing Blackboard
During this course, we will be using various tools in the Blackboard Course Management System. Blackboard is a secure, online environment where elements of the course content will be presented, interaction with your fellow students and instructor will take place, and assignments/exams/activities will be completed.
To access Blackboard, please go to http://blackboard.ad.cocc.edu . Click on the "Login" button. You will be taken to a screen where you will enter your User Name and Password.
User Name: A COCC student user name is your COCC ID number (e.g., 820012345)
Password: A COCC Student password is made up of the first initial of first name, first initial of last name (both initials will be in upper-case format), followed by the six digits of your date of birth (e.g., BK010364) .
Once you are logged into Blackboard, you will be taken to your own, personal location within Blackboard
You will see two tabs at the top of the Blackboard screen. One is My
COCC and the other is My Courses. Both of these
tabs will have hyperlinks to courses you are taking which will be using
Blackboard tools. Click on any of the hyperlinks to your courses and explore
what your instructor(s) have made available to you on the Web.
Novel/Short Story Choices: Ten weeks is clearly not enough time to “survey” American literature from 1865-today. Thus, as our final reading selection, I’d like the class to argue for their choice of our final novel OR a selection of short stories from our book. Here are some ideas: you can stick to this list or come up with your own. You should include at least 3 reasons why you believe the class should read the chosen novel or do the short stories. (NOTE: since we have only 2 weeks to spend on the novel, I’ve listed relatively BRIEF selections below rather than longer works and I’ve limited selections to the 20th century.)
Novel Ideas:
Willa Cather’s My Antonia (1918)
F. Scott Fitzgerald’s
The Great Gatsby (1925)
Ernest Hemingway’s The Sun Also Rises (1926)
Zora Neale Hurston’s Their Eyes Were Watching God (1937)
J.D. Salinger’s Catcher in the Rye (1951)
Toni Morrison’s The Bluest Eye (1970)
Tim O’Brien’s The Things They Carried (1990) (a collection of interrelated short stories)
Another option?
Short Story Option—we would do ALL of these short stories instead of a novel (all are from our book or would be an e-document):
John Cheever’s “The Swimmer”
John Updike’s “Separating”
Flannery O’Connor’s “Good Country People”
Flannery O’Connor’s “A Good Man is Hard to Find”
Ralph Ellison’s “Invisible Man” (Chapter 1)
Toni Morrison’s “Recitaf”
Alice Walker’s “Everyday Use”
Raymond Carver’s “Cathedral”
Raymond Carver’s “A Small, Good Thing”