Welcome to English 255 (WIC): Survey of American Literature
(WWI to the present)
Spring 2003



Instructor: Jacob Agatucci, MA

Central Oregon Community College
2600 NW College Way
Bend, OR 97701-5998

Humanities Dept.
541-383-7700 ext. 2281

 

CRN 10562 ~ Location: Pioneer 112
Time: MWF. 10-10:50
~ Office Hours: Tues/Thurs 9:30-11
Instructor Phone: 383-7700 ext. 2281
~ Instructor Email: jagatucci@cocc.edu


Course Info

Texts:

Course Objectives:

This course will cover selected works of American literature written during the 20th century. We will begin by examining the transition into Modernism in American literature, a movement with profound implications in terms of literary form and content, and which reflects widespread cultural change in the early 20th century. Next, we will look at writers who have been, for better or worse, grouped by their cultural or thematic contexts: the Jazz Age, the Harlem Renaissance, the Southern Renaissance and the Confessional Poets. We will also explore 20th century literary themes such as alienation, the possibilities of love and ethnic identity.

The course aims to develop the skills needed to

As a WIC (Writing in Context) course, both formal and informal writing will be a major component.


Course Learning Competencies:

Given a selection of significant literary works representing a variety of forms of discourse from 20th century American writers, the student will

1.  Explain the features of twentieth century American literary-historical periods (early modern, modern, Harlem Renaissance, postmodern) and analyze individual texts from these periods in relation to their historical, social, and cultural contexts.

2.  Explain how the values, beliefs, and traditions of particular regions, cultures, and ideologies (such as, African-American, Jewish, feminist) are represented in these texts.

3.  Apply specific and defensible criteria, appropriate to the cultural context, to analyze, interpret, and evaluate these texts.

4.  Define key period and genre terms, such as beat poets, confessional poetry.

5.  Analyze the effects of gender expectations, marginalization, publication practices and  political ideologies on the development and reputation of authors in this period of American literature.

6.  Explain the relationships, within these selections, among purpose, audience, organization, form, voice, diction, style, and use of conventions.

7.  Use formal and informal writing to develop and express interpretations and analysis, distinguishing between personal and critical responses.

8.  Use evidence from the texts to support the student’s interpretations, evaluations, and comparative analysis.

9.  Explain how the literary treatment of an event, issue, or idea differs from the approach of another academic discipline.


Course Assignments:

     40%  Weekly At-Home Reader Responses 

    Beginning the second week, each Wednesday at the beginning of class  (11am sharp) you will hand in a typed

    2+ page analysis of any chapter, story, poem or play that we are about to discuss in class.  If you choose to write

    about a work we have already discussed in class, your response must be significantly more in depth than class         

     discussion.  You may hand in ONE late response.  Future late responses will be penalized. There are 9 reader

    responses due this term (the one with the lowest score will be dropped), which means the last one will be turned

    in Wednesday of Week 10).

                        Each response should include the following:

                        a. a very brief summary (a few sentences)    
                        b. a personal response: What do you find particularly important or striking
                            in this reading selection?
                        c. comparisons/connections to other readings
                        d. any analysis of the theme of the work as it reflects a social, historical or  cultural context
                               
                                          NOTE: Make sure you support your analyses by referring to specific
                                          references to the text, quoting significant lines or words

Responses will be graded based on clear and thoughtful analysis.  They must be typed (see me about this if it will cause you some for of legitimate hardship).

NOTE: You may be called on to read or extemporaneously discuss your Reader-Response in class.

    10%    Quizzes and In-class Group Work

    15%    Midterm Essay (written outside of class and turned in by the end of Week 6): Questions will be available at the
               end of Week 3 [Sample essays 1 and 2 ]. Topic Questions.
  
   
20%    Final Group Project (prepared outside of class and conducted in class during Week 10): Instructions will be available
               by the end of Week 7.

    15%    Final Exam: Comprehensive exam covering the readings for the entire term: both short answer and short
               essay questions will be given.

NOTE: The reading load for this class is heavier some weeks than others, but all require close, careful, thoughtful reading.  Please don’t get
discouraged if some readings seem too intimidating to conquer. Consider skimming the selection first for a general overview of the essay, poem,
or story, then go back and read it more carefully. Our class discussion will elaborate and expand on the meaning and significance of each item on
the reading list.


Weekly Course Plan

Week 1  Week 2  Week 3  Week 4  Week 5 

Week 6  Week 7  Week 8  Week 9  Week 10
 



WEEK 1: April 1st thru 5th

Monday Reading NAAL: (In-Class): Eliot: From Tradition and the Individual Talent (1375-78)
Discussion Subjects and Contexts Class Overview and Introductions/The Concept of Modernism
Web Supplements and Optional Reading
Wednesday Reading NAAL: American Literature Between the Wars (911-921); Eliot: "The Love Song of J. Alfred Prufrock" (1370-73)
E-Reserve/Regular Reserve: A Critical Case Study: T.S. Eliot's "The Love Song of J. Alfred Prufrock"
Discussion Subjects and Contexts Subject: Eliot/Interrogating Literature
Context:
Categorizing Modernism (AKA Managing Modernism)
Web Supplements and Optional Reading Websites on Eliot: From Poetry Exhibits and
What the Thunder Said
Optional Reading: Eliot: "The Hollow Men" (1393-95); "A craving for reality: T. S. Eliot today"
Websites on Modernism: Modernist Fiction Web

Outlines of Class Presentations: Modernism (Word document), Slide Presentation (Powerpoint) (back-up)

WEEK 2: April 8th thru 12th

Week 1  Week 2  Week 3  Week 4  Week 5 

Week 6  Week 7  Week 8  Week 9  Week 10
 

Monday Reading Due NAAL:  Pound: "In the Station of the Metro" (1236) and "Hugh Selwyn Mauberley" (1239); Eliot:  "The Love Song of J. Alfred Prufrock" (1370-73)
Discussion Subjects and Contexts Subjects: Pound and Eliot
Context: "High" Modernism
Web Supplements and Optional Reading Websites on Pound: Electronic Poetry Center and Ezra Pound
Slide Presentations: Interpreting Literature Analytically and Ezra Pound Overview
Wednesday Reading NAAL:  Fitzgerald:  "Babylon Revisited (1496); Parker:  All NAAL selections (1461-65)
Discussion Subjects and Contexts Subjects: Fitzgerald and Parker
Context: "High" Modernism
Web Supplements and Optional Reading Websites on Fitzgerald: The F. Scott Fitzgerald Centenary
Websites on Parker: From The Portable Dorothy Parker, Dorothy Parker's New York, and From Women in American History
Optional Reading: Fitzgerald: "May Day" and "The Baby Party" (Both are short stories)
Slide Presentation on Fitzgerald and Parker

WEEK 3: April 15th thru 19th

Week 1  Week 2  Week 3  Week 4  Week 5 

Week 6  Week 7  Week 8  Week 9  Week 10

Monday Reading NAAL:  Stevens: "Anecdote of the Jar" (1171), "Gubbinal" (1171), "Sunday Morning" (1168), "Peter Quince at the Clavier" (1172), "The Death of a Soldier" (1175), and "The Plain Sense of Things" (1184);  Toomer: From Cane (1490-95)
Discussion Subjects and Contexts Subjects: Stevens and Toomer
Context: Transitioning from "High" modernism to "Grounded" Modernism: The Harlem Renaissance
Web Supplements and Optional Reading Websites on Stevens: Feigning the Strange Unlike and Talk With Mr. Stevens
Optional Reading: Stevens: "Not Ideas About the Thing But the Thing Itself," (a poem) “Sure Obliteration”: Death and the Maternal Body in “Sunday Morning” (an essay); Toomer: Newly Discovered Articles by Jean Toomer (an Essay) and On Jean Toomer and Social Class
Websites on Toomer: A Brief Biography and From Modern American Poetry

Context Website: WWI and The Shaping of the 20th Century
Slide Presentations: Stevens, Toomer, Harlem Renaissance
Wednesday Reading NAAL: McKay: “The Harlem Dancer” (1408), “The Lynching” (1408), “Harlem Shadows” (1409), and “America” (1409); Hughes: "I, Too" (1733), "Mulatto" (1734), and "Democracy" (1739), "Song for a Dark Girl" (1735), "Note on Commercial Theater" (1739), and "The Negro Speaks of Rivers" (1731)
Topic Questions for Midterm Essay
Discussion Subjects and Context Subjects: McKay and Hughes
Context: The Harlem Renaissance
Web Supplements and Optional Reading Websites on McKay: From PAL
Websites on Hughes: From Poetry Exhibits and From PBS, Langston Hughes Timeline
Optional Reading on Hughes: "The Negro Artist and the Racial Mountain" (a short essay by Hughes)
RR Question

WEEK 4: 22nd thru 26th

Week 1  Week 2  Week 3  Week 4  Week 5 

Week 6  Week 7  Week 8  Week 9  Week 10

Monday Reading Due NAAL:  Hurston: From Their Eyes Were Watching God (1447-55);  Cullen: "Heritage" (1753-55)
Discussion Subjects and Contexts Subjects: Hurston and Cullen
Context: The Harlem Renaissance and Reassessing Modernism
Web Supplements and Optional Reading Websites on Hurston: TBA
Optional Reading on Hurston: TBA
Websites on Cullen: From Poetry Exhibits, From Modern American Poetry
Optional Reading on Cullen: On Race, Homosexuality, and Visual and Verbal Androgyny in Cullen's Work, Cullen on African Americans, Literary Tradition, and Modernity
Wednesday Reading E-Reserve: Anderson: "Death in the Woods" or click here for website
NAAL:
Anderson:
From Winesburg, Ohio (1144-60); Yezierska: "The Lost 'Beautifulness'" (1202-14)
Group Work for Anderson and Yezierska
Discussion Subjects and Context Subjects: Anderson and Yezierska
Context: Reassessing Modernism
Web Supplements and Optional Reading Websites on Anderson: The Sherwood Anderson Literary Center
Optional Reading on/by Anderson: The Door of the Trap and Two Versions of the "American Stuff": Sherwood Anderson and William Carlos Williams
Websites on Yezierska: TBA
Optional Reading on Yezierska: "The Rebirth of Anzia Yezierska" (an essay available on EBSCO)

 

WEEK 5: April 29th thru May 3rd

Week 1  Week 2  Week 3  Week 4  Week 5 

Week 6  Week 7  Week 8  Week 9  Week 10

Monday Reading Due NAAL:  Hemingway: "The Snows of Kilimanjaro" (1685-1703);  Williams: "To Elsie" (1220-21), "The Red Wheelbarrow" (1221-22), and "The Dead Baby" (1222)
Discussion Subjects and Contexts Subjects: Hemingway and Williams
Context: Reassessing Modernism
Web Supplements and Optional Reading Websites on Hemingway: A Biography, Bibliography, and Criticism, Picturing Hemingway: A Writer in His Time (from the Smithsonian), Michael Palin's Hemingway (PBS)
Optional Reading: Hemingway: "Hills Like White Elephants" (hypertext version)
Websites on Williams: From Poetry Exhibits, From Modern American Poetry
Optional Reading on Williams:
"The Encounter with Modernism: Medicine and the Short Stories of William Carlos Williams" (an essay)
Wednesday Reading NAAL: Wolfe: "The Lost Boy" (1704-1725); Faulkner: "Barn Burning" (1630-42)
Discussion Subjects and Context Subjects: Wolfe and Faulkner
Context: Reassessing Modernism
Group Project
Web Supplements and Optional Reading Websites on Wolfe: The Thomas Wolfe Society
Websites on Faulkner: The Center for Faulkner Studies, William Faulkner Centennial Celebration
Optional Reading:
Wolfe: "Revisions of Thomas Wolfe's 'The Lost Boy'" (available on EBSCO); Faulkner: "Viewing Addie Bundren Through a Feminist Lens"

WEEK 6: May 6th thru 10th

Week 1  Week 2  Week 3  Week 4  Week 5 

Week 6  Week 7  Week 8  Week 9  Week 10

Monday Reading Due NAAL:  Faulkner: As I Lay Dying (1532-1582)
Discussion Subjects and Contexts Subjects: Faulkner
Context: The Southern Renaissance and the Purpose and Power of language from a Modernist Context
Presentation
Web Supplements and Optional Reading Websites on the Southern Renaissance:
Wednesday Reading NAAL:  Faulkner: As I Lay Dying (finish)
Discussion Subjects and Context Subjects: Faulkner
Context: The Southern Renaissance and the Purpose and Power of Language from a Modernist Context
Web Supplements and Optional Reading Optional Reading: "William Faulkner and the Accreting Line of Communication in As I Lay Dying" (an essay)

WEEK 7: May 13th thru 17th

Week 1  Week 2  Week 3  Week 4  Week 5 

Week 6  Week 7  Week 8  Week 9  Week 10

Monday Reading Due E-Reserve:  O'Conner: "A Good Man is Hard to Find" (or click here for a web version)
NAAL: American Prose Since 1945 (1773-83); O'Conner: "Good Country People" (2020-2034)
Discussion Subjects and Contexts Subjects: O'Conner
Context: American Literature after WWII/The Southern Renaissance/From Modernism to Postmodernism
Web Supplements and Optional Reading Websites on O'Conner: Bio, Bib, etc., A Good Writer Is Hard To Find: The Search for Flannery O'Conner
Websites on Modernism/Postmodernism: Modernism and Postmodernism: Some Symptoms and Useful Distinctions
Optional Reading: O'Conner: "The Coat" (a short story), a short analysis of "A Good Man Is Hard To Find", Flannery O'Connor and the healing of Southern culture
Wednesday Reading E-Reserve:  Cheever: "The Country Husband"
NAAL
:
Cheever:
"The Swimmer" (1862-70)
Discussion Subjects and Context Subjects: Cheever
Context: Fiction from Suburbia
Web Supplements and Optional Reading Websites on Cheever: Bio and Selected Works
Optional Reading on Cheever: John Cheever: Parody and The Suburban Aesthetic (a short essay), Michael Chabon on "The Swimmer"

Presentation

WEEK 8: May 20th thru 24th

Week 1  Week 2  Week 3  Week 4  Week 5 

Week 6  Week 7  Week 8  Week 9  Week 10

Monday Reading Due Goodbye Columbus: And Five Short Stories:   Roth (1-75)
Discussion Subjects and Contexts Subjects: Roth
Context: Border crossings: Urban vs. Suburban
Web Supplements and Optional Reading Websites on Roth: A CNN profile, A New York Mag profile, A Review of Goodbye Columbus
Link to Norton Anthology of Postmodern American Fiction
Wednesday Reading Goodbye Columbus: And Five Short Stories:   Roth (Finish)
Discussion Subjects and Context Subjects: Roth
Context: Border crossings: Urban vs. Suburban

WEEK 9: May 27th thru 31st

Week 1  Week 2  Week 3  Week 4  Week 5 

Week 6  Week 7  Week 8  Week 9  Week 10

Monday Reading Due MEMORIAL DAY: NO CLASS!!
Discussion Subjects and Contexts
Wednesday Reading Due NAAL: Ginsberg: "Howl" (2634-2641) and "A Supermarket in California" (2641-2642); Plath: "Daddy" (2748), "Lady Lazarus" (2744), "Morning Song" (2744), "The Applicant" (2753)
Discussion Subjects and Contexts Subjects: Ginsberg and Plath
Context: The Beat Poets and The Confessional Poets
Web Supplements and Optional Reading Websites on Ginsberg: Ashes and Blues, From Poetry Exhibits, Allen Ginsberg's FBI file, From Modern American Poetry, The Beat Page
Websites on Plath: High-Performance Poets, PlathOnline
Optional Reading on Ginsberg: Allen Ginsberg's Life and From an Essay on "Howl" by James E. B. Breslin

WEEK 10: June 3rd thru 7th

Week 1  Week 2  Week 3  Week 4  Week 5 

Week 6  Week 7  Week 8  Week 9  Week 10

Wednesday Reading Handouts based on the story each group chooses to focus on from the anthology (3 total for today)
Discussion Subjects and Context Group Projects (1-3) All the stories are available for download and printing via our library electronic reserve website: http://www.cocc.edu/library/RESERVES/reservelist.html
Please print these and bring them to class so you can follow along with the presentation. Those of you who mark up (i.e., annotate to show me you actively read them) your printed versions of these stories and show them to me in class will receive extra credit.
Web Supplements and Optional Reading Websites on Postmodernism: An Overview
Websites on Wallace: Online publications, An Interview
Websites on Pynchon: Hyperarts Pynchon Pages, On Entropy (sort of)
Optional Reading: NAAL: Updike's "Separating" and "Carver's "Cathedral"
Wednesday Reading Handouts based on the story each group chooses to focus on from the anthology (3 total for today)
Discussion Subjects and Context Group Projects (4-6)
Web Supplements and Optional Reading