Welcome to English 255 (WIC): Survey of
American Literature
(WWI to the present)
Spring 2003
|
Central
Oregon Community College
Humanities Dept.
|
CRN 10562 ~
Location: Pioneer 112 |
Texts:
The Norton Anthology of American Literature, Vol 2, 5th edition
Goodbye Columbus: And Five Short Stories by Philip Roth, Vintage, 1959 (1987)
Course Objectives:
This course will cover selected works of American literature written during the 20th century. We will begin by examining the transition into Modernism in American literature, a movement with profound implications in terms of literary form and content, and which reflects widespread cultural change in the early 20th century. Next, we will look at writers who have been, for better or worse, grouped by their cultural or thematic contexts: the Jazz Age, the Harlem Renaissance, the Southern Renaissance and the Confessional Poets. We will also explore 20th century literary themes such as alienation, the possibilities of love and ethnic identity.
The course aims to develop the skills needed to
As a WIC (Writing in Context) course, both formal and informal writing will be a major component.
Given a selection of significant literary works representing a variety of forms of discourse from 20th century American writers, the student will
1. Explain the features of twentieth century American literary-historical periods (early modern, modern, Harlem Renaissance, postmodern) and analyze individual texts from these periods in relation to their historical, social, and cultural contexts.
2. Explain how the values, beliefs, and traditions of particular regions, cultures, and ideologies (such as, African-American, Jewish, feminist) are represented in these texts.
3. Apply specific and defensible criteria, appropriate to the cultural context, to analyze, interpret, and evaluate these texts.
4. Define key period and genre terms, such as beat poets, confessional poetry.
5. Analyze the effects of gender expectations, marginalization, publication practices and political ideologies on the development and reputation of authors in this period of American literature.
6. Explain the relationships, within these selections, among purpose, audience, organization, form, voice, diction, style, and use of conventions.
7. Use formal and informal writing to develop and express interpretations and analysis, distinguishing between personal and critical responses.
8. Use evidence from the texts to support the student’s interpretations, evaluations, and comparative analysis.
9. Explain how the literary treatment of an event, issue, or idea differs from the approach of another academic discipline.
Course Assignments:
40% Weekly At-Home Reader Responses
Beginning the second week, each Wednesday at the beginning of class (11am sharp) you will hand in a typed
2+ page analysis of any chapter, story, poem or play that we are about to discuss in class. If you choose to write
about a work we have already discussed in class, your response must be significantly more in depth than class
discussion. You may hand in ONE late response. Future late responses will be penalized. There are 9 reader
responses due this term (the one with the lowest score will be dropped), which means the last one will be turned
in Wednesday of Week 10).
Each response should include the following:
a. a very brief summary (a few sentences)
b. a personal response: What do you find particularly important or striking
in this reading selection?
c. comparisons/connections to other readings
d. any analysis of the theme of the work as it reflects a social, historical or cultural context
NOTE: Make sure you support your analyses by referring to specific
references to the text, quoting significant lines or wordsResponses will be graded based on clear and thoughtful analysis. They must be typed (see me about this if it will cause you some for of legitimate hardship).
NOTE: You may be called on to read or extemporaneously discuss your Reader-Response in class.
10% Quizzes and In-class Group Work
15% Midterm
Essay (written outside of class and turned in by the end of Week 6): Questions
will be available at the
end of Week 3 [Sample essays
1 and 2 ].
Topic Questions.
20% Final Group Project (prepared outside of class and
conducted in class during Week 10):
Instructions will be available
by the end of Week 7.
15% Final Exam: Comprehensive exam covering the readings for the entire term: both
short answer and short
essay questions will be
given.
NOTE: The reading load for this class is
heavier some weeks than others, but all require close, careful, thoughtful
reading. Please don’t get
discouraged if some readings seem too intimidating to
conquer. Consider skimming the selection first for a general overview of the
essay, poem,
or story, then go back and read it more carefully. Our class discussion will
elaborate and expand on the meaning and significance of each item on
the reading list.
Week 1 Week 2 Week 3 Week 4 Week 5
Week 6 Week 7
Week 8 Week 9
Week 10
WEEK 1: April 1st thru 5th
| Monday | Reading | NAAL: (In-Class): Eliot: From Tradition and the Individual Talent (1375-78) |
| Discussion Subjects and Contexts | Class Overview and Introductions/The Concept of Modernism | |
| Web Supplements and Optional Reading | ||
| Wednesday | Reading | NAAL:
American Literature Between the Wars (911-921); Eliot: "The
Love Song of J. Alfred Prufrock" (1370-73)
E-Reserve/Regular Reserve: A Critical Case Study: T.S. Eliot's "The Love Song of J. Alfred Prufrock" |
| Discussion Subjects and Contexts | Subject: Eliot/Interrogating Literature Context: Categorizing Modernism (AKA Managing Modernism) |
|
| Web Supplements and Optional Reading | Websites on Eliot:
From Poetry
Exhibits and What the Thunder Said Optional Reading: Eliot: "The Hollow Men" (1393-95); "A craving for reality: T. S. Eliot today" Websites on Modernism: Modernist Fiction Web Outlines of Class Presentations: Modernism (Word document), Slide Presentation (Powerpoint) (back-up) |
WEEK 2: April 8th thru 12th
Week 1 Week 2 Week 3 Week 4 Week 5
Week 6 Week 7
Week 8 Week 9
Week 10
| Monday | Reading Due | NAAL: Pound: "In the Station of the Metro" (1236) and "Hugh Selwyn Mauberley" (1239); Eliot: "The Love Song of J. Alfred Prufrock" (1370-73) |
| Discussion Subjects and Contexts | Subjects: Pound and Eliot Context: "High" Modernism |
|
| Web Supplements and Optional Reading | Websites on Pound:
Electronic Poetry
Center and Ezra
Pound Slide Presentations: Interpreting Literature Analytically and Ezra Pound Overview |
|
| Wednesday | Reading | NAAL: Fitzgerald: "Babylon Revisited (1496); Parker: All NAAL selections (1461-65) |
| Discussion Subjects and Contexts | Subjects: Fitzgerald and Parker Context: "High" Modernism |
|
| Web Supplements and Optional Reading | Websites on Fitzgerald:
The F. Scott Fitzgerald Centenary Websites on Parker: From The Portable Dorothy Parker, Dorothy Parker's New York, and From Women in American History Optional Reading: Fitzgerald: "May Day" and "The Baby Party" (Both are short stories) Slide Presentation on Fitzgerald and Parker |
WEEK 3: April 15th thru 19th
Week 1 Week 2 Week 3 Week 4 Week 5
Week 6 Week 7 Week 8 Week 9 Week 10
| Monday | Reading | NAAL: Stevens: "Anecdote of the Jar" (1171), "Gubbinal" (1171), "Sunday Morning" (1168), "Peter Quince at the Clavier" (1172), "The Death of a Soldier" (1175), and "The Plain Sense of Things" (1184); Toomer: From Cane (1490-95) |
| Discussion Subjects and Contexts | Subjects: Stevens and Toomer Context: Transitioning from "High" modernism to "Grounded" Modernism: The Harlem Renaissance |
|
| Web Supplements and Optional Reading | Websites on Stevens:
Feigning the
Strange Unlike and
Talk
With Mr. Stevens Optional Reading: Stevens: "Not Ideas About the Thing But the Thing Itself," (a poem) “Sure Obliteration”: Death and the Maternal Body in “Sunday Morning” (an essay); Toomer: Newly Discovered Articles by Jean Toomer (an Essay) and On Jean Toomer and Social Class Websites on Toomer: A Brief Biography and From Modern American Poetry Context Website: WWI and The Shaping of the 20th Century Slide Presentations: Stevens, Toomer, Harlem Renaissance |
|
| Wednesday | Reading | NAAL:
McKay:
“The Harlem Dancer” (1408), “The Lynching” (1408), “Harlem Shadows”
(1409), and “America”
(1409);
Hughes: "I, Too" (1733), "Mulatto" (1734), and "Democracy"
(1739), "Song for a Dark Girl" (1735), "Note on Commercial Theater"
(1739), and "The Negro Speaks of Rivers" (1731) Topic Questions for Midterm Essay |
| Discussion Subjects and Context | Subjects: McKay and Hughes Context: The Harlem Renaissance |
|
| Web Supplements and Optional Reading | Websites on McKay:
From
PAL Websites on Hughes: From Poetry Exhibits and From PBS, Langston Hughes Timeline Optional Reading on Hughes: "The Negro Artist and the Racial Mountain" (a short essay by Hughes) RR Question |
WEEK 4: 22nd thru 26th
Week 1 Week 2 Week 3 Week 4 Week 5
Week 6 Week 7 Week 8 Week 9 Week 10
| Monday | Reading Due | NAAL: Hurston: From Their Eyes Were Watching God (1447-55); Cullen: "Heritage" (1753-55) |
| Discussion Subjects and Contexts | Subjects: Hurston and Cullen Context: The Harlem Renaissance and Reassessing Modernism |
|
| Web Supplements and Optional Reading | Websites on Hurston: TBA Optional Reading on Hurston: TBA Websites on Cullen: From Poetry Exhibits, From Modern American Poetry Optional Reading on Cullen: On Race, Homosexuality, and Visual and Verbal Androgyny in Cullen's Work, Cullen on African Americans, Literary Tradition, and Modernity |
|
| Wednesday | Reading | E-Reserve: Anderson:
"Death in the Woods"
or click here
for website NAAL: Anderson: From Winesburg, Ohio (1144-60); Yezierska: "The Lost 'Beautifulness'" (1202-14) Group Work for Anderson and Yezierska |
| Discussion Subjects and Context | Subjects: Anderson and Yezierska Context: Reassessing Modernism |
|
| Web Supplements and Optional Reading | Websites on Anderson:
The Sherwood
Anderson Literary Center Optional Reading on/by Anderson: The Door of the Trap and Two Versions of the "American Stuff": Sherwood Anderson and William Carlos Williams Websites on Yezierska: TBA Optional Reading on Yezierska: "The Rebirth of Anzia Yezierska" (an essay available on EBSCO) |
WEEK 5: April 29th thru May 3rd
Week 1 Week 2 Week 3 Week 4 Week 5
Week 6 Week 7 Week 8 Week 9 Week 10
| Monday | Reading Due | NAAL: Hemingway: "The Snows of Kilimanjaro" (1685-1703); Williams: "To Elsie" (1220-21), "The Red Wheelbarrow" (1221-22), and "The Dead Baby" (1222) |
| Discussion Subjects and Contexts | Subjects: Hemingway and Williams Context: Reassessing Modernism |
|
| Web Supplements and Optional Reading | Websites on Hemingway:
A Biography,
Bibliography, and Criticism,
Picturing Hemingway:
A Writer in His Time (from the Smithsonian),
Michael Palin's Hemingway
(PBS) Optional Reading: Hemingway: "Hills Like White Elephants" (hypertext version) Websites on Williams: From Poetry Exhibits, From Modern American Poetry Optional Reading on Williams: "The Encounter with Modernism: Medicine and the Short Stories of William Carlos Williams" (an essay) |
|
| Wednesday | Reading | NAAL: Wolfe: "The Lost Boy" (1704-1725); Faulkner: "Barn Burning" (1630-42) |
| Discussion Subjects and Context | Subjects: Wolfe and Faulkner Context: Reassessing Modernism Group Project |
|
| Web Supplements and Optional Reading | Websites on Wolfe:
The Thomas Wolfe Society Websites on Faulkner: The Center for Faulkner Studies, William Faulkner Centennial Celebration Optional Reading: Wolfe: "Revisions of Thomas Wolfe's 'The Lost Boy'" (available on EBSCO); Faulkner: "Viewing Addie Bundren Through a Feminist Lens" |
WEEK 6: May 6th thru 10th
Week 1 Week 2 Week 3 Week 4 Week 5
Week 6 Week 7 Week 8 Week 9 Week 10
| Monday | Reading Due | NAAL: Faulkner: As I Lay Dying (1532-1582) |
| Discussion Subjects and Contexts | Subjects: Faulkner Context: The Southern Renaissance and the Purpose and Power of language from a Modernist Context Presentation |
|
| Web Supplements and Optional Reading | Websites on the Southern Renaissance: | |
| Wednesday | Reading | NAAL: Faulkner: As I Lay Dying (finish) |
| Discussion Subjects and Context | Subjects: Faulkner Context: The Southern Renaissance and the Purpose and Power of Language from a Modernist Context |
|
| Web Supplements and Optional Reading | Optional Reading: "William Faulkner and the Accreting Line of Communication in As I Lay Dying" (an essay) |
WEEK 7: May 13th thru 17th
Week 1 Week 2 Week 3 Week 4 Week 5
Week 6 Week 7 Week 8 Week 9 Week 10
| Monday | Reading Due | E-Reserve:
O'Conner: "A Good Man is Hard to Find" (or
click here for a web version) NAAL: American Prose Since 1945 (1773-83); O'Conner: "Good Country People" (2020-2034) |
| Discussion Subjects and Contexts | Subjects: O'Conner Context: American Literature after WWII/The Southern Renaissance/From Modernism to Postmodernism |
|
| Web Supplements and Optional Reading | Websites on O'Conner:
Bio, Bib, etc.,
A Good
Writer Is Hard To Find: The Search for Flannery O'Conner Websites on Modernism/Postmodernism: Modernism and Postmodernism: Some Symptoms and Useful Distinctions Optional Reading: O'Conner: "The Coat" (a short story), a short analysis of "A Good Man Is Hard To Find", Flannery O'Connor and the healing of Southern culture |
|
| Wednesday | Reading | E-Reserve:
Cheever: "The Country Husband" NAAL: Cheever: "The Swimmer" (1862-70) |
| Discussion Subjects and Context | Subjects: Cheever Context: Fiction from Suburbia |
|
| Web Supplements and Optional Reading | Websites on Cheever:
Bio and Selected Works Optional Reading on Cheever: John Cheever: Parody and The Suburban Aesthetic (a short essay), Michael Chabon on "The Swimmer" Presentation |
WEEK 8: May 20th thru 24th
Week 1 Week 2 Week 3 Week 4 Week 5
Week 6 Week 7 Week 8 Week 9 Week 10
| Monday | Reading Due | Goodbye Columbus: And Five Short Stories: Roth (1-75) |
| Discussion Subjects and Contexts | Subjects: Roth Context: Border crossings: Urban vs. Suburban |
|
| Web Supplements and Optional Reading | Websites on Roth:
A CNN
profile, A New
York Mag profile,
A
Review of Goodbye Columbus Link to Norton Anthology of Postmodern American Fiction |
|
| Wednesday | Reading | Goodbye Columbus: And Five Short Stories: Roth (Finish) |
| Discussion Subjects and Context | Subjects: Roth Context: Border crossings: Urban vs. Suburban |
WEEK 9: May 27th thru 31st
Week 1 Week 2 Week 3 Week 4 Week 5
Week 6 Week 7 Week 8 Week 9 Week 10
| Monday | Reading Due | MEMORIAL DAY: NO CLASS!! |
| Discussion Subjects and Contexts | ||
| Wednesday | Reading Due | NAAL: Ginsberg: "Howl" (2634-2641) and "A Supermarket in California" (2641-2642); Plath: "Daddy" (2748), "Lady Lazarus" (2744), "Morning Song" (2744), "The Applicant" (2753) |
| Discussion Subjects and Contexts | Subjects: Ginsberg and Plath Context: The Beat Poets and The Confessional Poets |
|
| Web Supplements and Optional Reading | Websites on Ginsberg:
Ashes and Blues,
From Poetry
Exhibits,
Allen
Ginsberg's FBI file,
From Modern American Poetry,
The Beat
Page Websites on Plath: High-Performance Poets, PlathOnline Optional Reading on Ginsberg: Allen Ginsberg's Life and From an Essay on "Howl" by James E. B. Breslin |
WEEK 10: June 3rd thru 7th
Week 1 Week 2 Week 3 Week 4 Week 5
Week 6 Week 7 Week 8 Week 9 Week 10
| Wednesday | Reading | Handouts based on the story each group chooses to focus on from the anthology (3 total for today) |
| Discussion Subjects and Context | Group Projects (1-3) All the stories are
available for download and printing via our library electronic reserve
website:
http://www.cocc.edu/library/RESERVES/reservelist.html Please print these and bring them to class so you can follow along with the presentation. Those of you who mark up (i.e., annotate to show me you actively read them) your printed versions of these stories and show them to me in class will receive extra credit. |
|
| Web Supplements and Optional Reading | Websites on Postmodernism:
An
Overview Websites on Wallace: Online publications, An Interview Websites on Pynchon: Hyperarts Pynchon Pages, On Entropy (sort of) Optional Reading: NAAL: Updike's "Separating" and "Carver's "Cathedral" |
|
| Wednesday | Reading | Handouts based on the story each group chooses to focus on from the anthology (3 total for today) |
| Discussion Subjects and Context | Group Projects (4-6) | |
| Web Supplements and Optional Reading |